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Litpunk The Digital Presence of Garret Schneider

Residency

[2012 - Tennessee Rep Theater]
Treatment and Synopsis for 'Ultrasound'
[Read]

Commission

[2011 - Collider Project]
Treatment and Synopsis for 'Clockwork Child'
[Read]

Projects

[2010] 
Visual Display of the Re-writing Process [Read]

Conferences

[2009 MATC]
On the Weekly Execution and Generation of New Plays at Ohio University
[Read]

While writing plays are a way I choose to express myself, I see independent projects and conferences as a way to present myself.

"Treatment for 'Ultrasound'..." is my current project, about a soon-to-be mother whose unborn child comes into her lab and plead for her life.  The proposal earned me a place in Tennessee Repertory Theater's Ingram New Works Lab.
[Read]

In "Treatment for 'Clockwork'....", I presented and wrote a play for reading on Charles Babbage and Ada Lovelace.  Before she dies, Ada wills herself to go back in time and change the outcome of her scientific self. She goes back to try and destroy who she became, so she would never experience failure.
[read] 

In, "Visual Display...", I wanted to track the progress of ideas visually from draft to draft of David Robinson's ten-minute play, What 'C' Sounds Like.
[read]

In, "On the Weekly...", presented at the Mid-American Theater Conference in March 2009, I spoke of the model for weekly new works currently at Ohio University (Midnight Madness), and used that model as a backdrop to talk about the importance of risk and failure in theatre.  
[read]

As always, please contact me if you have any questions or observations.

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